Atomos Offers Apple ProRes RAW Recording Support for Sony FX6

Atomos 1Atomos just announced Apple ProRes RAW recording support for Sony’s new FX6 professional camera with full-frame sensor; which natively outputs RAW over SDI. This is all made possible with the Atomos Shogun 7 which will record pristine ProRes RAW images at up to DCI 4Kp60. Recording over SDI from the FX6 to the Shogun 7 extends the performance of the professional camera by taking 16bit linear RAW data from its state-of-the-art Exmor R sensor and recording it in the flexible and efficient ProRes RAW format. Recorded with log 12-bit color depth, corresponding to over 68 billion color graduations. FX6’s standard professional interface of 12G-SDI and SDI RAW output direct from the main camera body allows for a very powerful professional combination when used with the Atomos Shogun 7.

Content creators and filmmakers also benefit from the storage advantage of ProRes RAW, where the codec harnesses the ability to capture 12bit RAW in the same file sizes as 10-bit 422 standard ProRes. In addition to their combination of flexibility and performance, Apple ProRes RAW files are smaller than other RAW file types — simplifying and accelerating file transfer, media management and archiving.

The Shogun 7 is a 7-inch HDR monitor, recorder and switcher a true multipurpose production monitor. It features an accurate 1920×1200 HDR screen that is 3,000 nits in Peak HDR and 1,500 nits in daylight-viewable mode and displays 15+ stops of dynamic. It records to AtomX SSDmini or other approved SATA SSD drives for maximum reliability using proven standards. These are cost effective with a much lower cost per GB than proprietary memory cards.

The pairing of Sony’s handheld FX6 deserves a flagship monitor to suit. Apart from recording to ProRes RAW the Shogun 7’s portable size lets you monitor, analyze and tag while on set. The HDR monitor-recorder-switcher is a completely flexible master recording and production station. Add to this, features ranging from asynchronous multicamera switching, a 3000nit screen, improved monitor assist tools, frame guides for Social/CDN production, Dolby Vision playout for HDR delivery and creators have more power to achieve their creative vision than ever before.

ProRes RAW now includes over 20 cameras supporting the Atomos and ProRes RAW combination, cementing its position as the industry standard for RAW video capture. ProRes RAW combines the visual and workflow benefits of RAW video with the real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management and archiving. ProRes RAW is fully supported in Final Cut Pro X and Adobe Premiere Pro along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.